In his latest post, Benjamin wrote about the importance of archiving the internet. Reading it, it was alarming to learn just how much of the web fades quickly into void. Whenever a fledgling site finds itself in an eternally irretrievable tomb, it’s a surreal shame. Though many of these sites consist of nothing but abject posturing, it’s the equivalent of burning a printed page. Even worse is the notion that, in this metaphor, it would be the only remaining page on the planet with its unique content. Whether that page contains weak poetry, or sprawling and elegant prose, it’s symbolic of a loss that evokes death in its permanence.… [continue reading]
What is a “Hatfro”? It’s what happens when 90’s video game graphics are so ambiguous that it can’t decide if something is hair or head-wear. It’s only a small part of this SC Streamcast, but a point worth clearing up. Having said that, what exactly is an SC Streamcast anyway? With this being only our second episode, I’m not entirely sure that we know ourselves. In many ways, and with my hand on my heart, it’s a whim; a half-baked idea that I’m playing around with. While its off-the-cuff nature is undeniable, there is some consideration behind its format. Streams, as delightful and interesting as they can be, are quite exclusive in their scope and focus.… [continue reading]
Imagine trying to find an article you remembered in a magazine from years ago without a solid starting point. Or trying to find the best quality version of a rare film without having access to a proper database. Even on the internet, two decades into its evolution, the attempts to catalog, index and archive the web have been isolated, underfunded, abandoned, or narrow in scope. Even the largest resource, owned by Internet Archive, stores just 0.2% of the pages indexed by Google. That’s despite having being used to hold politicians accountable, win legal battles, and verify sources for important information.… [continue reading]
Click here to get a free copy of the tape mailed to you. Scroll down for the full track-list and samples!
This is something we’ve been planning and working on in the background since we announced our physical zine. While Issue #1: Birth is 100% free, including postage and packaging, we want to give all we can to subscribers. Therefore, anyone who’s signed up will also receive an equally free tape of music and MP3 download of the contents. For those who don’t make it onto our mailing list before publication, Volume #1: Birth will be available on Bandcamp. However, this initial run of tapes is going to be unique.… [continue reading]
Just a couple of months ago, we spoke to Goldie Lookin Chain’s principle lyricist, Eggsy. How he kept quiet about new material, I’ll never know. But, going against his strategic silence, today sees the announcement of the collective’s twentieth LP, Fear of a Welsh Planet. Last year brought us a wealth of GLC to enjoy, from a Christmas album to a live recording of their compressed Legends of GLC show. Now they’re back, and it’s with some extra ambition.
On a neglected side-street of Manchester’s city centre, Gorilla sits quietly in the surrounding sprawl. To its right, past a tunnel perfectly sculpted for a stealthy, drunken evening piss, lies Dog Bowl; a bar teetering on the edge of achingly hipster, offering ten-pin bowling as a cacophonous aperitif to overpriced culinary dirge. Given that even the local trams feature caricatures with Monopoly Man moustaches, it seems an inescapable aesthetic. While the stereotype can cause an itch when you’re handing over double for a Jameson and Coke, it’s a welcoming and, eventually, comfortable world to sparsely visit. Within Gorilla, where that sub-culture seems defined, Tim Heidecker and Neil Hamburger proved, in more ways than one, that assumption is all too often erroneous.… [continue reading]
It feels incredible to be writing here again. For those who don’t know, or didn’t notice, our domain went offline for almost an entire week. This, obviously, left Benjamin and I distraught and distressed for the down-time’s duration. It effected every area of our output, with it even coming close to causing a permanent cessation. Despite such devastating circumstances, we’ve been able to move past it confidently in readiness for our next phase. As a result of the issues with the domain, a backlog of tasks requiring completion has built up. An Office Chart is well overdue, though I did state in the previous one that it might be the last.… [continue reading]
This article ties in to a podcast I recorded with Sean Tillmann, available here.
Har Mar Superstar is the cipher through which Sean Tillmann expresses his art. Over nearly twenty years of activity, Tillmann has brought immense integrity to a constantly evolving catalogue. Nowhere is this more true than on his latest EP, Personal Boy. Taking all of his previous material and expanding on it naturally, Personal Boy is an exciting growth that works just as well on its own gargantuan merits. It consists of a mere three tracks (and a radio edit), though each is strong enough to outlive the brevity of the record as a whole.… [continue reading]
It seems that I lied in my previous post, intended as a sort of temporary finale. The idea was for that to be the last piece on Secret Cave until Issue #1: Birth sees release. I had a feeling that wouldn’t be the case. Too many things have happened that require a small update on the site itself. So, while Benjamin and I keep working on the zine, I thought I’d put this out as timely housekeeping. Incidentally, before I move into other territory, work on the zine has been a mixed bag. We’ve been coming out with some very strong results lately, and I can’t wait to make them public.… [continue reading]
Majken‘s debut LP, Dancing Mountains, is a whimsical and nostalgic set of twelve autobiographical songs. The mood that the record conjures mirrors the main themes explored throughout; a trip back in time, reflecting on “vivid dreams, fond memories and restless nights”. What makes the collection even more special is the personal touch. The songs reference specific locations encountered, and people she’s crossed paths with.
Dancing Mountains could have been pulled straight out of the late 60’s, and early 70s, surf-pop and avant-garde movement. Trickles of The Velvet Underground are clearly present, uniquely intertwined with elements of Scandinavian pop.… [continue reading]