We’re huge fans of Nick Lutsko at Secret Cave. In fact, just last year, he made an appearance on our podcast. He remains one of the friendliest people we’ve spoken to, and offered up heaps of insight on his music and work for Super Deluxe. Following on from his last album, Etc., Nick has recently released a new song — complete with an excellent music video.
This article ties in to a podcast I recorded with Maddox, available here.
George Ouzounian, better known as Maddox, has built his brand on the internet for twenty years. Beginning with The Best Page in the Universe in 1997, the project has grown into a number of different mediums. Primarily, Maddox considers himself a writer and satirist. Yet, he’s always made an effort to craft content for various platforms. While maintaining a consistent and practised tone, Maddox now produces podcasts, animation, comics and YouTube videos. He’s even currently working on a video game. Though all of his output is faithful to the core of his character, his outspoken penmanship inspires it all.… [continue reading]
This article ties in to a podcast I recorded with Doug Lussenhop, available here.
Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shape Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.… [continue reading]
In 1997, Netflix wasn’t formed to disrupt our TV habits, it was formed to support them.
It launched with a library of 925 DVDs. The main thing that separated it from something like Blockbuster (and what eventually ended up allowing Netflix to trump them) is the monthly subscription. All-you-can-eat content, with a much wider selection than traditional TV or cinema.
By 2000, Netflix had already declined an acquisition offer of $50 million from a terrified Blockbuster, and then went on to make DVD rentals obsolete with a revolutionary on-demand platform and a discovery algorithm within the space of 6 years.
Using similar tactics to YouTube, and emerging within the same year, Netflix represents the YouTube-ization of television.… [continue reading]