I was a mere eleven years of age when Samurai Jack first premiered on Cartoon Network. Because of this, I can speak with first-hand clarity of its instant obvious quality. Even at that tender age it smashed out from the screen, leaving its peers far behind with an unbelievable strength of vision. That’s not even to denigrate the network’s surrounding programming, itself a rich buffet of well-crafted material. It’s just that Samurai Jack is so singular. In no way does it ever hand-hold its audience. Instead, each frame shines with its own beauty, leading us through a slow and quietly crafted narrative. … [continue reading]
Hear the writers discuss this subject on the Secret Cave Podcast!
I am absolutely the right person at Secret Cave to write this. That’s something I believe both Bens would yield to, well aware of my lifelong love for Ridley Scott’s Blade Runner. It’s been my favourite film since I was around sixteen years old. Even before that it was ever-present in my upbringing. A favourite of both my Dad and Brother, I knew its opening crawl well from a young age. The very idea of a sequel to that masterpiece was frightening, but it’s now something I can’t deny or avoid. … [continue reading]
At first I was going to make this piece an overview of trailers in their entirety, using two from this year as examples. Instead, it occurred to me that i’d simply be stealing an upcoming subject from fellow writer, Ben Mulholland. As such, I thought it more befitting of me to look in depth at the two examples. One staggeringly bad, another breathtakingly good, there are a lot of meaty tangents to go off on from both.
Trailers, on the whole, are mere promotional tools to rally the populous. … [continue reading]