Released in 1996, The Neverhood was the first game to make use of claymation in all of its animations. Its environments burst with distinctive singularity, but the game’s popularity was boosted by its memorable puzzles and, particularly, its soundtrack. Composed by Terry Scott Taylor, a prolific songwriter and founding member of Daniel Amos, its odd vocals and playful tone were a perfect match for a world pocked with fingerprints and creativity.
Just two years later, a sequel dropped for the PlayStation. Instead of a point-and-click mystery, Skullmonkeys took the form of a platformer. Its music, also written by Taylor, followed suit with more driving beats and evolving arrangements.… [continue reading]