A Change is Gonna Come

In 1978, Neil Peart (lyricist and percussionist out of pompous Canadian stadium rockers, Rush) wrote “Plůs cà chăngë, plüs cé lä měmę chõsē” (that’s foreign writing that is, and I don’t expect you to understand it, but it means – “the more that things change, the more they stay the same”), for the song Circumstances on the band’s Hemispheres album. Having said that, in the context of the article I am about to write, that quote is a load of bollocks but, I have seen how many online “journalists” like to put a couple of cultural references in their articles, to make themselves look clever.…   [continue reading]

Super Deluxe: Editing as Part of the Art

It was only recently that I wrote about how damaging editing can be to comedy. Often chaining or dulling the creative process, there’s a lot of evidence for its oppressive implications. On the other hand, it’s only fair to discuss how liberating it can be for expression. In fact, creators like Super Deluxe have shown how effective it is when used constructively. There have been hints of it for years. Even Chris Morris, as shackled as he was, could reconstitute existing material into something new and interesting. To finally tie up connections to the previous article in this arc, here’s a prophetic example of Morris doing just that:

Examples go back far further too.…   [continue reading]