Adam Volerich is a storyteller. His devotion to such narratives has brought him to develop talents in a wide array of disciplines. Be it through writing, directing, editing, producing or more, Volerich is always able to convey something evocative and interesting. His passion and, self-proclaimed, anxious intensity make him an extremely promising young creative, with an enormous weight to his catalogue. Volerich has no apparent interest in slowing down either, instead pushing ever-forward into new territory.[continue reading]
April is the month of my birthday. Therefore, I felt it only appropriate that I reflect that general merriment with a more upbeat playlist. I also, in its construction, had several things going on in my life that rather coloured the choices I made. As a result, it’s perhaps not as exploratory as i’d like it to be. That said, I do feel it improves over my more disparate offering from last month. There’s still a clear divide in the groupings of similar material at times, but i’m going to blame that on the personal nature of my decisions. For those who can see the implications of my words, it didn’t work out.… [continue reading]
This month’s playlist is much more varied than the February edition. I tried a lot harder to make it a bit more representative of my overarching tastes. That said, quite a lot of this material was new to me. I’m finding that making these is helping me to discover a few things myself. That, at the very least, makes it worth doing. Overall, i’m really quite happy with this one. However, I do have a couple of problems i’d like to iron out for April’s Office Chart. For example, I feel the two halves are slightly too separate. After a more upbeat opening, it’s quite a bit more chilled out by its conclusion. … [continue reading]
Yep, I’ll admit with my hands in the air that this is hardly an original idea. Radiohead have been doing office charts for years, and I can only assume that thousands of hip blogs and magazines have adopted it. Of course, it doesn’t really matter. I just thought it would be a fun monthly thing to do. Besides, I’ve got a High Fidelity-esque predilection for making playlists anyway. Neither of the Bens have anything to do with this, in case they get ashamed by the choices. This is just my own personal “writing an article for Secret Cave” playlist. … [continue reading]
Secret Cave has been a quiet dwelling since the turn of New Year. Indeed, only seven days into it, time taken off in this period is somewhat natural and understandable. It’s been the case for the two Bens after all, both of whom have had swathes of personal and professional flotsam to attend to. As a freer agent however, I would usually have posted a couple of things up by now. Truth is, something terrifying has reared its head; something I didn’t expect until at least my fifties. For the past week, I have been suffering immense hearing damage.
I’m going to try and use this as a jumping off point for talking about a few things. … [continue reading]
The Last Guardian
From its opening notes, it’s tough to discern exactly what the designers’ intentions were. However, the game is clearly about teamwork and forming bonds. Its unique approach of interacting with a very independent beast is compelling in the extreme. Beyond that, it seems a slow and contemplative puzzle-platformer. Under that lens, The Last Guardian is far from unique – even from the creators who made it. While the ideas at play here are interesting and engaging, it’s admittedly a little thin on the ground. Its minimalism sometimes undermines it, while also being a credit to its approach. … [continue reading]