Achewood, a webcomic launched in 2001, is among the densest works of fiction on the internet. Resting on the mannerisms of a developed cast of complex characters, it later evolved to include blogs, Twitter accounts and even a cookbook. Its creator, Chris Onstad, has given life to every corner of its titular setting through a series of inspired arcs. For Issue #2: Breath, we talked to Chris about Achewood, some of the process behind it and its future.… [continue reading]
We’re now preparing to post out copies of Issue #2: Breath! If you haven’t yet ordered a copy, you can do so by visiting our store or brand new Patreon page. We’ve worked hard to make this zine worth the money, by filling it with as much writing, art and photography as we could source. In the end, we’ve more than doubled the page count of our debut issue.
We’re immensely proud of the contributors who have given this project life.… [continue reading]
You can find some more background on Issue #2: Breath here!
Since posts have definitely been slower here this year, I feel it’s only fair that we show why. We stated our heavier concentration on Issue #2: Breath in this previous post. But, with so much going on in the background, it’s about time we gave an update.
Several contributions have already come in, and received full page formats from Benjamin and I. Neither of us can believe the quality of submissions this time around, and we’ve tried to live up to that with our designs. Last week, we worked on a three-page spread exploring the art of Katrine Claassens.… [continue reading]
This year at Secret Cave, we’re changing our pace somewhat. Following the release of our first zine last year, we’ve already started work on a second issue. It’s important to us that Issue #2: Breath is an improvement in every possible way on our original venture. As such, certain elements of our output are likely to slow down until our estimated release date in April.
In no way does that mean our domain content will stop. In fact, Benjamin and I already have numerous drafts that we’re working on. However, we have made our next zine a conscious priority. Unfortunately, this is likely to have an impact on the amount of posts here.… [continue reading]
This piece ties in to a podcast I recorded with Rucka Rucka Ali, available here.
For our final interview of 2017, we invited Rucka Rucka Ali to speak to us about his creativity and craft. Since 2006, Rucka has carved out a significant legacy as the internet’s most offensive parody artist. In his music, he often makes use of racial stereotypes and observations. All too often, and erroneously, his songs are accused of racism. In fact, his output is a cleverly constructed dissection of the culture politics we all drown in. They’re also incredibly funny, with a “no holds barred” attitude that starkly contrasts the safe-space mindset of modern liberalism.… [continue reading]
(welcome to the wonderful world of entertainment)
Petey stood perspiring, rubbing his porky and ill-defined pinkies together in angst, fearful but energized. Let’s proceed to paint this picture with all the full wonder and respect it commands, for the room in which Petey shook – not entirely out of disturbance, but more anticipation – was so unlike any enclosed space you have ever entered. The only thing known to the average human, like you or I, that could even approach the decoration, architecture or general ambience of that cavernous chamber is what hallucinogenic drug users may find in an un-enclosed clearing.… [continue reading]
After the launch of Secret Cave’s online store, where slavering millennials and web-based creatives can, at last, feel the material presence of their favourite online “zine”, I, Lee‘s dad, thought it would be fitting to add to this existential element of the website.
It’s one thing to clatter around on a keyboard and instruct someone to switch on their machines and program them to churn out consumer goods, like magazines and cassette tapes. It is entirely another thing to take materials from your surrounding environment, produce objects to arbitrary dimensions, pre-determined physical requirement limitations and personal aesthetics using one’s own imagination, understanding, logic, practical skills and enough calorific intake to produce the energy required to shape and reform.… [continue reading]
Last month, Goldie Lookin Chain released Fear of a Welsh Planet. It’s an album that continues their trend of hilarious, but relatable, hip-hop. To find out more on its creation, and the evolution of GLC across a lengthy career, I spoke to Rhys (also known as P. Xain). As the member responsible for almost all of the group’s music and production, he’s been deeply ingrained from their earliest beginnings.
Aside from Goldie Lookin Chain, Rhys has put out a number of intriguing solo releases.… [continue reading]
This URL initially linked to a detailed history of Volume #1: Birth, which is still online here.
After several months of putting the package together, Volume #1: Birth is finally available for download. In addition, zine subscribers should receive their physical copies within a fortnight of this post. Bringing this to you is a very proud moment for us. It contains music from both Secret Cave co-founders, regular contributors (like March and MC Kat) and several guests. Nick Lutsko, Professor Elemental, Vic Berger and DJ Douggpound all have tracks on this release, following on from our podcasts with them.… [continue reading]
This article ties in to a podcast I recorded with Maddox, available here.
George Ouzounian, better known as Maddox, has built his brand on the internet for twenty years. Beginning with The Best Page in the Universe in 1997, the project has grown into a number of different mediums. Primarily, Maddox considers himself a writer and satirist. Yet, he’s always made an effort to craft content for various platforms. While maintaining a consistent and practised tone, Maddox now produces podcasts, animation, comics and YouTube videos. He’s even currently working on a video game. Though all of his output is faithful to the core of his character, his outspoken penmanship inspires it all.… [continue reading]