SC Streamcast #01, Two SCP Minis and General Updates

It seems that I lied in my previous post, intended as a sort of temporary finale. The idea was for that to be the last piece on Secret Caveย until Issue #1: Birth sees release. I had a feeling that wouldn’t be the case. Too many things have happened that require a small update on the site itself. So, while Benjamin and I keep working on the zine, I thought I’d put this out as timely housekeeping. Incidentally, before I move into other territory, work on the zine has been a mixed bag. We’ve been coming out with some very strong results lately, and I can’t wait to make them public.…   [continue reading]

Finale: SCP2 and Issue #1: Birth

This piece, which I’ve had planned in my mind for some time now, has proven intensely difficult to begin. In many ways, it signals a door closing. Perhaps that’s why I get a general sense of foreboding in its writing. On the other hand, while we’re certainly turning our backs on the past, it’s also indicative of a potentialย corridorย of new doors opening upย for us. Leaving the metaphors aside for one moment,ย Secret Caveย is changing.ย To put it another way, we’re evolving.

In actuality, we’ve been evolving since our inception just under a year ago. At first, we were nothing more than a listless domain name; the site on which you read these words was a mere clotheshorse for the abject literary whims of its co-founders.…   [continue reading]

The Myriad Talents of Doug Lussenhop

This article ties in to a podcast I recorded with Doug Lussenhop, available here.

Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shapeย Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.…   [continue reading]