On a neglected side-street of Manchester’s city centre, Gorilla sits quietly in the surrounding sprawl. To its right, past a tunnel perfectly sculpted for a stealthy, drunken evening piss, lies Dog Bowl; a bar teetering on the edge of achingly hipster, offering ten-pin bowling as a cacophonous aperitif to overpriced culinary dirge. Given that even the local trams feature caricatures with Monopoly Man moustaches, it seems an inescapable aesthetic. While the stereotype can cause an itch when you’re handing over double for a Jameson and Coke, it’s a welcoming and, eventually, comfortable world to sparsely visit. Within Gorilla, where that sub-culture seems defined, Tim Heidecker and Neil Hamburger proved, in more ways than one, that assumption is all too often erroneous.… [continue reading]
Publishing this two days after the event aired, I can’t help but question if there’s any point. Then I realised, one of the reasons that I cover WWE PPVs here is to track their progress and development over time. Missing one, in a year that will have fourteen by its end, may not seem a big deal. However, I feel that not reporting this one PPV would be unfair on certain talents within. For example, Randy Orton and Jinder Mahal have been running a questionable and tiresome feud for some time now. It would be the height of injustice not to comment on their Punjabi Prison match at this year’s Battleground; it made me quite like Mahal for the first time, which is always worthy of discussion.… [continue reading]
I challenge anybody on this planet to try to outdo my Radiohead fandom. Presently, it’s a task that would be posing to just about anyone. Even Thom Yorke likely knows less about his own band than I do. I’ve obsessed over unreleased and rare material for the majority of my life, down to the shortest snippets of half-baked soundcheck jams. Therefore, I have some extra insight into what to expect from OKNOTOK, Radiohead’s reissue of their legendary record, OK Computer.
The Amazing Mr. X
DIRECTOR: Bernard Vorhaus
STARRING: Turhan Bey, Lynn Bari, Cathy O’Donnell
First released in 1948, The Amazing Mr. X is a public domain film notable for being considered a bit ridiculous even in its time. This makes it a perfect first choice for a new long-running series, where i’ll be providing a contemporary commentary on top. As a side note, this film is also known as The Spiritualist.
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Two years after her husband’s death, Christine Faber (Lynn Bari) thinks she hears her late husband (Donald Curtis) calling out of the surf on the beach one night.
Toy Story was a film of firsts, which set the bar so high that it may be some time before we see its like again. Some may argue that more relevant Pixar releases, such as Up or Inside Out, have managed to match it, but I will admit to not being one of them. Neither of those releases, despite Up‘s excellence, have been able to come anywhere near to the quality that permeates every aspect of Toy Story‘s production. Simply consider how it birthed a genre and visual style without resting on those laurels. Today it would be enough that it was some great visual step for mankind, not feeling any obligation to enhance that with consistently hilarious humour, memorable characters, sympathetic themes and the depth of an ocean.… [continue reading]