As SmackDown‘s first dedicated PPV post-WrestleMania, my expectations for BackLash were as low as they were for Payback. In fact, if anything, my expectations were a little lower. However you try to dance around it, SmackDown‘s a B-show. That doesn’t mean it can’t bring some compelling things to the table. It’s just that, by and large, you can always look to Raw for a bit of added spectacle. With a main event pitching Jinder Mahal against Randy Orton, my hopes were far from high. The only thing on the card of real intrigue, to me, was the inevitable debut of Shinsuke Nakamura on a WWE main roster.… [continue reading]
In the wake of a largely enjoyable WrestleMania, I always expected Payback this year to naturally fall short. The lead-in to it was weak. Its card didn’t seem to present anything of any intrigue. After all, the superstar shake-up was quite a heavy distraction. That aside, there was still plenty of room for something to be pulled out of the bag. On the whole, it would be fair to describe Payback as a slightly below-par affair. However, with the inclusion of the awful “House of Horrors” match, I can’t help but give this a pretty resoundingly negative review.
There wasn’t really a single segment of this PPV that engaged me.… [continue reading]
WWE‘s fledgling Fastlane event is still, in many ways, just finding its feet. It’s not a bad concept for a Pay-Per-View either, introducing last minute twists and turns to the Road to WrestleMania. This year, the main point of contention was Kevin Owens‘ Universal Title defence against Goldberg. With the victor going on to face Brock Lesnar at the imminent WrestleMania, it’s something that the WWE Universe had their eyes set keenly on. Of course, the finish was always going to end up predictable. We’ll discuss that in the end but, first, there’s quite an undercard to comb over.… [continue reading]
I was a mere eleven years of age when Samurai Jack first premiered on Cartoon Network. Because of this, I can speak with first-hand clarity of its instant obvious quality. Even at that tender age it smashed out from the screen, leaving its peers far behind with an unbelievable strength of vision. That’s not even to denigrate the network’s surrounding programming, itself a rich buffet of well-crafted material. It’s just that Samurai Jack is so singular. In no way does it ever hand-hold its audience. Instead, each frame shines with its own beauty, leading us through a slow and quietly crafted narrative. … [continue reading]
I eventually saw Blade Runner 2049, and subsequently wrote about it here.
I am absolutely the right person at Secret Cave to write this. That’s something I believe both Bens would yield to, well aware of my lifelong love for Ridley Scott’s Blade Runner. It’s been my favourite film since I was around sixteen years old. Even before that it was ever-present in my upbringing. A favourite of both my Dad and Brother, I knew its opening crawl well from a young age. The very idea of a sequel to that masterpiece was frightening, but it’s now something I can’t deny or avoid. … [continue reading]