Just a couple of months ago, we spoke to Goldie Lookin Chain’s principle lyricist, Eggsy. How he kept quiet about new material, I’ll never know. But, going against his strategic silence, today sees the announcement of the collective’s twentieth LP, Fear of a Welsh Planet. Last year brought us a wealth of GLC to enjoy, from a Christmas album to a live recording of their compressed Legends of GLC show. Now they’re back, and it’s with some extra ambition.
This article ties in to a podcast I recorded with Sean Tillmann, available here.
Har Mar Superstar is the cipher through which Sean Tillmann expresses his art. Over nearly twenty years of activity, Tillmann has brought immense integrity to a constantly evolving catalogue. Nowhere is this more true than on his latest EP, Personal Boy. Taking all of his previous material and expanding on it naturally, Personal Boy is an exciting growth that works just as well on its own gargantuan merits. It consists of a mere three tracks (and a radio edit), though each is strong enough to outlive the brevity of the record as a whole.… [continue reading]
It seems that I lied in my previous post, intended as a sort of temporary finale. The idea was for that to be the last piece on Secret Cave until Issue #1: Birth sees release. I had a feeling that wouldn’t be the case. Too many things have happened that require a small update on the site itself. So, while Benjamin and I keep working on the zine, I thought I’d put this out as timely housekeeping. Incidentally, before I move into other territory, work on the zine has been a mixed bag. We’ve been coming out with some very strong results lately, and I can’t wait to make them public.… [continue reading]
This piece, which I’ve had planned in my mind for some time now, has proven intensely difficult to begin. In many ways, it signals a door closing. Perhaps that’s why I get a general sense of foreboding in its writing. On the other hand, while we’re certainly turning our backs on the past, it’s also indicative of a potential corridor of new doors opening up for us. Leaving the metaphors aside for one moment, Secret Cave is changing. To put it another way, we’re evolving.
In actuality, we’ve been evolving since our inception just under a year ago. At first, we were nothing more than a listless domain name; the site on which you read these words was a mere clotheshorse for the abject literary whims of its co-founders.… [continue reading]
When I spoke to Doug Lussenhop last month, we got into a surreal internet standoff. It all started innocently, with a conversation about the addiction we all have to our phones. It’s true that all too much of our time is spent scrolling through infinite news feeds. Personally, I could be far more productive than I am by simply turning off my phone. We’re all guilty of it in certain respects, with Lussenhop combating it by spending dedicated time, in the sticks, away from social media. For me, as someone who needs to learn lessons in a similar fashion to a hamster, more direct incentive is necessary.… [continue reading]
This article ties in to a podcast I recorded with Alex Lowe, available here.
Alex Lowe is one of the most recognisable faces on British television. His credits have ranged from early outings in Grange Hill to memorable turns in comedies like Peter Kay’s Phoenix Nights and House of Fools. As a huge fan of British comedy and television, I can’t count the number of times that he’s made appearances in influential favourites of mine. For Lowe, credits don’t end with his ubiquitous televisual roles either. In many ways, they’re merely a beginning.
Lowe is an eclectic talent, who seems able to turn his skills to a wide variety of mediums.… [continue reading]
Today – in 2017 – we barely have a grip on what exactly the internet is. Its applications are only just truly coming to light, while the majority of us spend hours on social media trying to make sense of it. Sure, the internet has definitions, and we’re all quick to leap on YouTube and the exchange of free information as explanations for its use. Still, it’s a technology that was created ignorantly and has only evolved with incredible alacrity since. You can’t blame humankind for being somewhat perplexed by its implications.… [continue reading]
For this SCP Mini, we haven’t drawn from outside materials or our interview guests. Instead, for the first time, we’ve used clips from our very first season of podcasts. Within that season, we were a rather different beast. Season Two almost entirely consists of interviews with other creatives about their work. In our first episodes, Benjamin and I simply recorded casual conversations about pre-set topics. It was a very formative time for us, but I still feel there are some interesting relics there. It makes for the most entertaining listening when the two of us argued, which would usually feature my explosive temper.… [continue reading]
This article ties in to a podcast I recorded with Doug Lussenhop, available here.
Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shape Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.… [continue reading]
This week saw the release of two more SCP Minis; compressed editions of our podcasts curated by Benjamin. In these, we’ve drawn from interviews we conducted with David Liebe Hart and Professor Elemental. In certain ways, these act as short-form signposts to the original conversations. That said, we try wherever we can to make sure they stand on their own. Because our guests are often so insightful on a variety of topics, much of their commentary is comfortable in its own context. However, sometimes a guest can be so enigmatic, as a whole, that grander threads appear in their dialogue: