Maddox Interview: F*ck Whales, Video Games and Criticism

This article ties in to a podcast I recorded with Maddox, available here.

George Ouzounian, better known as Maddox, has built his brand on the internet for twenty years. Beginning with The Best Page in the Universe in 1997, the project has grown into a number of different mediums. Primarily, Maddox considers himself a writer and satirist. Yet, he’s always made an effort to craft content for various platforms. While maintaining a consistent and practised tone, Maddox now produces podcasts, animation, comics and YouTube videos. He’s even currently working on a video game. Though all of his output is faithful to the core of his character, his outspoken penmanship inspires it all.…   [continue reading]

Issue #1: Birth: A Final Announcement and Update

Several months ago, we announced our first physical zine. Since that announcement, Benjamin and I have been working hard to make Issue #1: Birth a reality. On the same day as this post’s publication, we’ve made our final order for the complete batch of debut issues. Once we’ve received them, we’ll send out individual copies to our subscribers. With its release just a few days away, this post will take a look at each of the zine’s talented contributors. In addition, I’ll detail a few of the difficulties we’ve encountered in the process, and how they’ve helped us to develop.…   [continue reading]

A Still Tongue: Reacting to a World in Terror

Since we first founded Secret Cave, an enormous amount of widely publicised terrorist attacks have taken place. Tributes and reactions drown social media in their wake. In tandem, mainstream news outlets explode with coverage. Obviously, both of these things are understandable. We need reports and trusted sources on events. Otherwise, we’d live in a medieval world of ignorance. Likewise, it can be affirming to see the support and solidarity that comes with sharing our despair through platforms like Twitter or Facebook. It provides a crutch of community that can negate the inherent fear and shock that affects us all.

Why, then, does Secret Cave choose to consciously eschew mention of any terrorist attacks?…   [continue reading]

The Myriad Talents of Doug Lussenhop

This article ties in to a podcast I recorded with Doug Lussenhop, available here.

Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shape Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.…   [continue reading]

Reviewing OKNOTOK Before It’s Even Released…

I challenge anybody on this planet to try to outdo my Radiohead fandom. Presently, it’s a task that would be posing to just about anyone. Even Thom Yorke likely knows less about his own band than I do. I’ve obsessed over unreleased and rare material for the majority of my life, down to the shortest snippets of half-baked soundcheck jams. Therefore, I have some extra insight into what to expect from OKNOTOK, Radiohead’s reissue of their legendary record, OK Computer.

Admittedly, much of the extra material set to appear on the reissue is well-known already. Even a casual fan could have heard the b-sides on EMI‘s own Collectors Edition.…   [continue reading]

Returning to Royston Vasey: Hype for League of Gentlemen’s Reunion

When The League of Gentlemen first ran on BBC Two, it was alienating to a lot of my fellow nine-year-olds. It was through pure virtue of my father’s high regard that its quotes sneakily entered my vocabulary. At that age, the horror mixed into the show by its creators was a lot more salient. It wasn’t an easy watch, but that’s exactly why its nightmarish characters made their way so carefully into my consciousness. However, its humour gave its terror a release valve. Oddly, even at that formative age, the accuracy of their characters to the England I knew was greater than that of anything else on television.…   [continue reading]