It seems that I lied in my previous post, intended as a sort of temporary finale. The idea was for that to be the last piece on Secret Cave until Issue #1: Birth sees release. I had a feeling that wouldn’t be the case. Too many things have happened that require a small update on the site itself. So, while Benjamin and I keep working on the zine, I thought I’d put this out as timely housekeeping. Incidentally, before I move into other territory, work on the zine has been a mixed bag. We’ve been coming out with some very strong results lately, and I can’t wait to make them public.… [continue reading]
When I spoke to Doug Lussenhop last month, we got into a surreal internet standoff. It all started innocently, with a conversation about the addiction we all have to our phones. It’s true that all too much of our time is spent scrolling through infinite news feeds. Personally, I could be far more productive than I am by simply turning off my phone. We’re all guilty of it in certain respects, with Lussenhop combating it by spending dedicated time, in the sticks, away from social media. For me, as someone who needs to learn lessons in a similar fashion to a hamster, more direct incentive is necessary.… [continue reading]
For our latest SCP Mini (compressed editions of our regular podcasts), we’ve used our interview with Dan Renton Skinner as a source. As someone with a wealth of experience within British comedy, he had much to say on the subject. I took particular interest, when speaking to him, in the anarchic nature of certain comedies of the early 90’s. Thanks to his widespread work with Vic Reeves and Bob Mortimer, it’s something he clearly understands. In more modern times, some of the punk has disappeared from our national humorists. As Skinner himself notes, they simply don’t allow that aesthetic on syndicated television anymore.… [continue reading]
For this SCP Mini, we haven’t drawn from outside materials or our interview guests. Instead, for the first time, we’ve used clips from our very first season of podcasts. Within that season, we were a rather different beast. Season Two almost entirely consists of interviews with other creatives about their work. In our first episodes, Benjamin and I simply recorded casual conversations about pre-set topics. It was a very formative time for us, but I still feel there are some interesting relics there. It makes for the most entertaining listening when the two of us argued, which would usually feature my explosive temper.… [continue reading]
This week saw the release of two more SCP Minis; compressed editions of our podcasts curated by Benjamin. In these, we’ve drawn from interviews we conducted with David Liebe Hart and Professor Elemental. In certain ways, these act as short-form signposts to the original conversations. That said, we try wherever we can to make sure they stand on their own. Because our guests are often so insightful on a variety of topics, much of their commentary is comfortable in its own context. However, sometimes a guest can be so enigmatic, as a whole, that grander threads appear in their dialogue:
David Liebe Hart on Aliens
This week, Benjamin brought out an SCP Mini based around his interview with Stefan Bohacek. As the founder of BotWiki, he’s someone with an impressive knowledge on the nature of artificial intelligence. In this video, he highlights an interesting phenomenon. Pareidolia is the force in our minds which makes us see faces in toast, or on the surface of Mars. When applied to interaction with bots, it can have a profound impact on our perspectives. Despite knowing that an AI is a construct, with clear limits to its capability, we can easily project humanity onto them regardless.
Recently, over at our YouTube, we’ve been putting out bite-sized editions of our regular podcasts. This is a concept I have to give credit to Benjamin for, though I have contributed in small ways. The thrust behind these is threefold. Firstly, it’s a good exercise for editing skills. Secondly, we thought it would be intriguing to present small snippets of our interviews in, occasionally, new contexts. As a final, and more cynical, drive, it merely makes it easier to digest a source material that often exceeds an hour in length.
Chopped down to a strict limit of no more than two minutes and twenty seconds (comment with your thoughts on why we chose this length!), these titbits get in and out without too much bother to the idle scroller.… [continue reading]