Dion Lunadon (The D4, A Place to Bury Strangers) Interview: On his Debut Solo LP

Having spent over two decades with several bands including A Place to Bury Strangers, The D4 and The Scavengers, it’s surprising to realize Dion Lunadon hadn’t released a solo work sooner and, even more so, to learn it wasn’t planned to exist.

“I hadn’t written by myself for years and felt I needed to create something with no compromises and something that reflected who I am. Out of anything I’ve ever done, this record definitely captures that more than any other. I wasn’t planning on releasing any of it, which is a great place to write from. I wrote it for me.” 

With the help of Bambara’s Blaze Batch, APTBS bandmate Robi Gonzalez and Chris Woodhouse (recording engineer for Thee Oh Sees and Ty Segall), Lunadon wrote and completed the album over three months in Brooklyn, NY.…   [continue reading]

Pixies – “Head Carrier” [ALBUM REVIEW]

I bloody love the Pixies.  They’ve been one of my favourite bands since I first heard Bone Machine; before my balls had even dropped.  To this day I consider their performance at 2005’s Leeds/Reading festival my finest live event.  To their hordes of vocal admirers, they carry around an enormous legacy everywhere they go.  It’s probably this pressure that has kept their back catalogue compressed and minimal over the years.  Indeed, even with their lengthy hiatus, you’d have expected more than six LPs from a band with the stature and history that the Pixies enjoy.  For me, this has always given them a mystique that greatly adds to their presence.…   [continue reading]

Boards of Canada – Tomorrow’s Harvest

Beyond the static-tined avalanche of white noise and synthesiser synaesthesia, Boards of Canada’s recent Tomorrow’s Harvest L.P. is a surprisingly comprehensive journey towards – and eventually away from – collapse.  But what stands so intriguing in this breakdown?  What leads the release of this record to captivate so easily with giddy addiction?  And just what exactly is being portrayed across the ice-pines and bark-bergs of this somehow begotten, faintly belated landscape?

First, one has to be careful in attempting to view the effort as a concept album in the strictest terms.  Despite its clear thematic loyalties (mostly to secret broadcast, ghostly premonitions and narcissistic evolution), there is no great or detailed tale to be found under the layers of softly structured tone poetry. …   [continue reading]