Written in Stone, When All Stones Erode

Often, we think of an artwork as absolute. Picasso’s work, for example, is simply Picasso’s work; unchanged over time. We’re aware that a digital JPEG of a painting will lose all of its tangible resonance, such as its finer brushstrokes. Yet, we still consider it to be a fair representation of an essential absolute. Those with a passing interest in artย may even have some peripheral sense that a long life would naturally degrade the brilliance of a piece. But, outside of the exclusive world of art criticism and appreciation, it’s rare for us to consider the ways that an individual expression can evolve.…   [continue reading]

Secret Cave Office Chart [AUGUST 2017]

As Benjamin and I scurry away at work for our upcoming print zine, this Office Chart nearly never happened. It’s more difficult to compile something as coherent as it is eclectic, on a regular basis, than I thought. So, I was somewhat lucky with this one. Many of the tracks fell into place with barely a nudge, making an end product that might be one of the more intriguing charts yet. Unfortunately, it may also be the final Office Chart that I make in this way. Withย Secret Caveย moving in a different direction, I’m not sure what place they’ll have in the future.…   [continue reading]

Jimmy Webb – Galveston

Galveston, named after the coastal Texas city its protagonist apparently calls home, is a song that brings with it a remarkable amount of weight. ย One of Jimmy Webb’s most recognisable and trademark tunes, it was given an intense limelight when popularised by Glen Campbell in 1969. ย Having found a second wind since as a beautiful, tragic and wistful ditty recorded by Webb himself, its true gravitas was made all the more central when arranged with the right ear. ย Campbell’s version being an enjoyable and intelligent slice of pop from a time when its timbre was contemporary, it’s Webb’s re-imaginings that make me want to write about it today.…   [continue reading]