What is a “Hatfro”? It’s what happens when 90’s video game graphics are so ambiguous that it can’t decide if something is hair or head-wear. It’s only a small part of this SC Streamcast, but a point worth clearing up. Having said that, what exactly is an SC Streamcast anyway? With this being only our second episode, I’m not entirely sure that we know ourselves. In many ways, and with my hand on my heart, it’s a whim; a half-baked idea that I’m playing around with. While its off-the-cuff nature is undeniable, there is some consideration behind its format. Streams, as delightful and interesting as they can be, are quite exclusive in their scope and focus.… [continue reading]
When I spoke to Doug Lussenhop last month, we got into a surreal internet standoff. It all started innocently, with a conversation about the addiction we all have to our phones. It’s true that all too much of our time is spent scrolling through infinite news feeds. Personally, I could be far more productive than I am by simply turning off my phone. We’re all guilty of it in certain respects, with Lussenhop combating it by spending dedicated time, in the sticks, away from social media. For me, as someone who needs to learn lessons in a similar fashion to a hamster, more direct incentive is necessary.… [continue reading]
This article ties in to a podcast I recorded with Alex Lowe, available here.
Alex Lowe is one of the most recognisable faces on British television. His credits have ranged from early outings in Grange Hill to memorable turns in comedies like Peter Kay’s Phoenix Nights and House of Fools. As a huge fan of British comedy and television, I can’t count the number of times that he’s made appearances in influential favourites of mine. For Lowe, credits don’t end with his ubiquitous televisual roles either. In many ways, they’re merely a beginning.
Lowe is an eclectic talent, who seems able to turn his skills to a wide variety of mediums.… [continue reading]
Publishing this two days after the event aired, I can’t help but question if there’s any point. Then I realised, one of the reasons that I cover WWE PPVs here is to track their progress and development over time. Missing one, in a year that will have fourteen by its end, may not seem a big deal. However, I feel that not reporting this one PPV would be unfair on certain talents within. For example, Randy Orton and Jinder Mahal have been running a questionable and tiresome feud for some time now. It would be the height of injustice not to comment on their Punjabi Prison match at this year’s Battleground; it made me quite like Mahal for the first time, which is always worthy of discussion.… [continue reading]
Today – in 2017 – we barely have a grip on what exactly the internet is. Its applications are only just truly coming to light, while the majority of us spend hours on social media trying to make sense of it. Sure, the internet has definitions, and we’re all quick to leap on YouTube and the exchange of free information as explanations for its use. Still, it’s a technology that was created ignorantly and has only evolved with incredible alacrity since. You can’t blame humankind for being somewhat perplexed by its implications.… [continue reading]
For this SCP Mini, we haven’t drawn from outside materials or our interview guests. Instead, for the first time, we’ve used clips from our very first season of podcasts. Within that season, we were a rather different beast. Season Two almost entirely consists of interviews with other creatives about their work. In our first episodes, Benjamin and I simply recorded casual conversations about pre-set topics. It was a very formative time for us, but I still feel there are some interesting relics there. It makes for the most entertaining listening when the two of us argued, which would usually feature my explosive temper.… [continue reading]
This article ties in to a podcast I recorded with Doug Lussenhop, available here.
Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shape Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.… [continue reading]
This article ties in to a podcast I recorded with Paul Alborough (Professor Elemental), available here.
In our last podcast, we spoke to David Liebe Hart. In that particular case, we had a personality on our hands who’s very difficult to detach from his character. The flip-side of that is a creative whose use of a character is acutely deliberate. That’s precisely the bill that Paul Alborough, best known for his popular Professor Elemental alter-ego, fits in spades. However, Alborough is a vast talent regardless of such construction. He calls to mind an important truth; something we’re all guilty of in an age of information.… [continue reading]
This article ties in to a podcast I recorded with David Liebe Hart, available here.
If you’ve ever spent any time with a toe dipped into Tim and Eric Awesome Show, Great Job!, then you’re probably aware of David Liebe Hart. His first appearance came in the episode Salame, which heavily featured his music, puppets and thoughts on extra-terrestrial mythology. From there, he’s seen himself cast in numerous editions of that show, as well as various spin-offs, promotional materials and live tours. He’s become an integral part of their universe, whether Tim Heidecker and Eric Wareheim approve of it or not.… [continue reading]
Having spent over two decades with several bands including A Place to Bury Strangers, The D4 and The Scavengers, it’s surprising to realize Dion Lunadon hadn’t released a solo work sooner and, even more so, to learn it wasn’t planned to exist.
“I hadn’t written by myself for years and felt I needed to create something with no compromises and something that reflected who I am. Out of anything I’ve ever done, this record definitely captures that more than any other. I wasn’t planning on releasing any of it, which is a great place to write from. I wrote it for me.”
With the help of Bambara’s Blaze Batch, APTBS bandmate Robi Gonzalez and Chris Woodhouse (recording engineer for Thee Oh Sees and Ty Segall), Lunadon wrote and completed the album over three months in Brooklyn, NY.… [continue reading]