Achewood, a webcomic launched in 2001, is among the densest works of fiction on the internet. Resting on the mannerisms of a developed cast of complex characters, it later evolved to include blogs, Twitter accounts and even a cookbook. Its creator, Chris Onstad, has given life to every corner of its titular setting through a series of inspired arcs. For Issue #2: Breath, we talked to Chris about Achewood, some of the process behind it and its future.… [continue reading]
Released in 1996, The Neverhood was the first game to make use of claymation in all of its animations. Its environments burst with distinctive singularity, but the game’s popularity was boosted by its memorable puzzles and, particularly, its soundtrack. Composed by Terry Scott Taylor, a prolific songwriter and founding member of Daniel Amos, its odd vocals and playful tone were a perfect match for a world pocked with fingerprints and creativity.
Just two years later, a sequel dropped for the PlayStation.… [continue reading]
This interview is a feature from our second printed zine, Issue #2: Breath.
Following its release last year, A Hat in Time has been embraced by players and critics alike. Lauded as a love letter to the fading genre of 3D platformers, it’s a welcome slice of nostalgia. While that would be enough to ensure the game success, its developers have filled every corner with their own innovations. Because of this, A Hat in Time was among the most memorable titles of 2017.… [continue reading]
“Is the Nintendo Switch worth it?” is a question that many have wondered since the system was made available last year. Throughout this piece, I’m going to highlight the issues I’ve encountered with my own Switch. However, admitting my dissatisfaction doesn’t come easily, and it requires some background. If you’re looking for a concise list of reasons why the Switch isn’t worth it, please scroll down to the “tl;dr” section at the end!
I’ve always been passionate about video games. My first console was a Super Nintendo Entertainment System (SNES), which I received for my fifth Christmas.… [continue reading]
This piece ties in to a podcast I recorded with Rucka Rucka Ali, available here.
For our final interview of 2017, we invited Rucka Rucka Ali to speak to us about his creativity and craft. Since 2006, Rucka has carved out a significant legacy as the internet’s most offensive parody artist. In his music, he often makes use of racial stereotypes and observations. All too often, and erroneously, his songs are accused of racism. In fact, his output is a cleverly constructed dissection of the culture politics we all drown in. They’re also incredibly funny, with a “no holds barred” attitude that starkly contrasts the safe-space mindset of modern liberalism.… [continue reading]
Last month, Goldie Lookin Chain released Fear of a Welsh Planet. It’s an album that continues their trend of hilarious, but relatable, hip-hop. To find out more on its creation, and the evolution of GLC across a lengthy career, I spoke to Rhys (also known as P. Xain). As the member responsible for almost all of the group’s music and production, he’s been deeply ingrained from their earliest beginnings.
Aside from Goldie Lookin Chain, Rhys has put out a number of intriguing solo releases.… [continue reading]
This URL initially linked to a detailed history of Volume #1: Birth, which is still online here.
After several months of putting the package together, Volume #1: Birth is finally available for download. In addition, zine subscribers should receive their physical copies within a fortnight of this post. Bringing this to you is a very proud moment for us. It contains music from both Secret Cave co-founders, regular contributors (like March and MC Kat) and several guests. Nick Lutsko, Professor Elemental, Vic Berger and DJ Douggpound all have tracks on this release, following on from our podcasts with them.… [continue reading]
At Secret Cave, we’ve always had an obsession with the output of artificial intelligence. Across a variety of fascinating bots and other projects, it’s been shown that their artwork is more than worthy of scrutiny. Since the birth of the internet, and the entropic prevalence of technology over the past century, the capabilities of such bots has improved at a vast rate. It’s allowed certain older ideas, about the creation of art without emotion, to be explored in the depth they deserve.… [continue reading]
“Other” Joe Lopez is well-known by gamers for his work on The Angry Joe Show. His winning dynamic with “Angry” Joe Vargas, a close friend since middle school, is a large factor in the appeal of their YouTube channel. As an integral part of the show, his humorous observations and experienced criticism have made him beloved amongst fans. Lopez has helped Vargas to hone his characteristic tone since his earliest days with Blistered Thumbs.
As The Angry Joe Show has increased in popularity, it’s received significant backlash for a perceived laziness. … [continue reading]
What is a “Hatfro”? It’s what happens when 90’s video game graphics are so ambiguous that it can’t decide if something is hair or head-wear. It’s only a small part of this SC Streamcast, but a point worth clearing up. Having said that, what exactly is an SC Streamcast anyway? With this being only our second episode, I’m not entirely sure that we know ourselves. In many ways, and with my hand on my heart, it’s a whim; a half-baked idea that I’m playing around with. While its off-the-cuff nature is undeniable, there is some consideration behind its format. Streams, as delightful and interesting as they can be, are quite exclusive in their scope and focus.… [continue reading]