Tyrannosaurus Death!: A Conversation with Adam Volerich

This interview is a part of Issue #2: Breath. You can get your own physical copy of the zine through our store or Patreon.

Though we featured some of Adam Volerich’s still photography in our previous issue, he’s primarily a filmmaker. We’ve been big supporters of his work, through Magnalux Pictures or otherwise, at Secret Cave. His catalogue shines with ingenuity, off-beat humour and a deep respect for the power of location. With the release of his latest short-film, Tyrannosaurus Death!, we jumped at the opportunity to interview Adam about its production.

Below is a cropped sample page from our zine.…   [continue reading]

Outsider Textiles: A Conversation with Shanell Papp

This interview is a part of Issue #2: Breath. You can get your own physical copy of the zine through our store or Patreon.

In our last issue, Birth, we featured a single piece of Shanell Papp’s distinctive artwork. We would have liked to show more, and initially planned for an in-depth look at her talent for textiles. It’s a medium she explores and warps in surprising ways, with an intense attention to detail. The physicality of her output makes her focus on anatomy and the macabre more direct. For this zine, we spoke to Shanell about some of her intentions and drives.…   [continue reading]

Constructing Achewood: A Momentary Diversion with Chris Onstad

Click here to order Issue #2: Breath, including this interview, from our store. Alternatively, copies are available through Patreon.

Achewood, a webcomic launched in 2001, is among the densest works of fiction on the internet. Resting on the mannerisms of a developed cast of complex characters, it later evolved to include blogs, Twitter accounts and even a cookbook. Its creator, Chris Onstad, has given life to every corner of its titular setting through a series of inspired arcs. For Issue #2: Breath, we talked to Chris about Achewood, some of the process behind it and its future.…   [continue reading]

Issue #2: Breath: FINAL ANNOUNCEMENT

Issue #2: Breath is available to order through our store or, alternatively, as a reward to Patreon supporters.

We’re now preparing to post out copies of Issue #2: Breath! If you haven’t yet ordered a copy, you can do so by visiting our store or brand new Patreon page. We’ve worked hard to make this zine worth the money, by filling it with as much writing, art and photography as we could source. In the end, we’ve more than doubled the page count of our debut issue.

We’re immensely proud of the contributors who have given this project life.…   [continue reading]

Terry Scott Taylor Interview: The Music of The Neverhood, Skullmonkeys and Armikrog

For early access to our upcoming game music podcast, The Sound Test, click here to check out our Patreon!

Released in 1996, The Neverhood was the first game to make use of claymation in all of its animations. Its environments burst with distinctive singularity, but the game’s popularity was boosted by its memorable puzzles and, particularly, its soundtrack. Composed by Terry Scott Taylor, a prolific songwriter and founding member of Daniel Amos, its odd vocals and playful tone were a perfect match for a world pocked with fingerprints and creativity.

Just two years later, a sequel dropped for the PlayStation.…   [continue reading]

Jenna Brown Interview: A Hat in Time, Illustration and Zines

This interview is a feature from our second printed zine, Issue #2: Breath.

For early access to our upcoming game music podcast, The Sound Test, click here to check out our Patreon!

Following its release last year, A Hat in Time has been embraced by players and critics alike. Lauded as a love letter to the fading genre of 3D platformers, it’s a welcome slice of nostalgia. While that would be enough to ensure the game success, its developers have filled every corner with their own innovations. Because of this, A Hat in Time was among the most memorable titles of 2017.…   [continue reading]

Rucka Rucka Ali Interview: Constructing Parody and Character

This piece ties in to a podcast I recorded with Rucka Rucka Ali, available here.

For our final interview of 2017, we invited Rucka Rucka Ali to speak to us about his creativity and craft. Since 2006, Rucka has carved out a significant legacy as the internet’s most offensive parody artist. In his music, he often makes use of racial stereotypes and observations. All too often, and erroneously, his songs are accused of racism. In fact, his output is a cleverly constructed dissection of the culture politics we all drown in. They’re also incredibly funny, with a “no holds barred” attitude that starkly contrasts the safe-space mindset of modern liberalism.…   [continue reading]

Volume #1: Birth [DOWNLOAD AND STREAM]

This URL initially linked to a detailed history of Volume #1: Birth, which is still online here.

After several months of putting the package together, Volume #1: Birth is finally available for download. In addition, zine subscribers should receive their physical copies within a fortnight of this post. Bringing this to you is a very proud moment for us. It contains music from both Secret Cave co-founders, regular contributors (like March and MC Kat) and several guests. Nick LutskoProfessor Elemental, Vic Berger and DJ Douggpound all have tracks on this release, following on from our podcasts with them.…   [continue reading]

Maddox Interview: F*ck Whales, Video Games and Criticism

This article ties in to a podcast I recorded with Maddox, available here.

George Ouzounian, better known as Maddox, has built his brand on the internet for twenty years. Beginning with The Best Page in the Universe in 1997, the project has grown into a number of different mediums. Primarily, Maddox considers himself a writer and satirist. Yet, he’s always made an effort to craft content for various platforms. While maintaining a consistent and practised tone, Maddox now produces podcasts, animation, comics and YouTube videos. He’s even currently working on a video game. Though all of his output is faithful to the core of his character, his outspoken penmanship inspires it all.…   [continue reading]

Caedmon: Creating Creativity (Maurizio Fusillo Interview)

This article ties in to a podcast I recorded with Maurizio Fusillo, the creator of Caedmon, available here.

At Secret Cave, we’ve always had an obsession with the output of artificial intelligence. Across a variety of fascinating bots and other projects, it’s been shown that their artwork is more than worthy of scrutiny. Since the birth of the internet, and the entropic prevalence of technology over the past century, the capabilities of such bots has improved at a vast rate. It’s allowed certain older ideas, about the creation of art without emotion, to be explored in the depth they deserve.…   [continue reading]