We’re huge fans of Nick Lutsko at Secret Cave. In fact, just last year, he made an appearance on our podcast. He remains one of the friendliest people we’ve spoken to, and offered up heaps of insight on his music and work for Super Deluxe. Following on from his last album, Etc., Nick has recently released a new song — complete with an excellent music video.
This year at Secret Cave, we’re changing our pace somewhat. Following the release of our first zine last year, we’ve already started work on a second issue. It’s important to us that Issue #2: Breath is an improvement in every possible way on our original venture. As such, certain elements of our output are likely to slow down until our estimated release date in April.
In no way does that mean our domain content will stop. In fact, Benjamin and I already have numerous drafts that we’re working on. However, we have made our next zine a conscious priority. Unfortunately, this is likely to have an impact on the amount of posts here.… [continue reading]
This piece is an extract from our first print zine, Issue #1: Birth. Click here for more information.
I can’t bear to harm a smiling face. A smiling face conceals a soul. A smiling face’s feelings are hurt when you mangle it. Eating it is bad enough, but throwing it away is reprehensible, and if I eat the smiling face it has at least served its life purpose.
That’s why I’m sitting, edge-of-my-seat, eye-on-the-clock, flicking through a plate of goldfish crackers to find the ones with faces so I can eat them and rescue them from the garbage. It is very horrible of the makers of goldfish crackers to put faces on some but not all of the goldfish.… [continue reading]
This article is a re-formatted extract from Issue #1: Birth, which you can read more about here.
As Microsoft throws Paint into the digital wasteland with the rest of the internet’s abandonware, it’s hard not to get nostalgic about the simple graphical editor that influenced the “shit is good” aesthetic of the early 2000s internet. Its influence on internet culture is huge, with obvious examples being rage comics, stoner comics, and any image macro with awkwardly superimposed text and graphics.
Digital art that looked like shit started out as a necessity, yet slowly became a preference. Even today’s memes hark back to the days where the best material was thrown together on Paint in a matter of minutes.… [continue reading]
After the launch of Secret Cave’s online store, where slavering millennials and web-based creatives can, at last, feel the material presence of their favourite online “zine”, I, Lee‘s dad, thought it would be fitting to add to this existential element of the website.
It’s one thing to clatter around on a keyboard and instruct someone to switch on their machines and program them to churn out consumer goods, like magazines and cassette tapes. It is entirely another thing to take materials from your surrounding environment, produce objects to arbitrary dimensions, pre-determined physical requirement limitations and personal aesthetics using one’s own imagination, understanding, logic, practical skills and enough calorific intake to produce the energy required to shape and reform.… [continue reading]
This URL initially linked to a detailed history of Volume #1: Birth, which is still online here.
After several months of putting the package together, Volume #1: Birth is finally available for download. In addition, zine subscribers should receive their physical copies within a fortnight of this post. Bringing this to you is a very proud moment for us. It contains music from both Secret Cave co-founders, regular contributors (like March and MC Kat) and several guests. Nick Lutsko, Professor Elemental, Vic Berger and DJ Douggpound all have tracks on this release, following on from our podcasts with them.… [continue reading]
Several months ago, we announced our first physical zine. Since that announcement, Benjamin and I have been working hard to make Issue #1: Birth a reality. On the same day as this post’s publication, we’ve made our final order for the complete batch of debut issues. Once we’ve received them, we’ll send out individual copies to our subscribers. With its release just a few days away, this post will take a look at each of the zine’s talented contributors. In addition, I’ll detail a few of the difficulties we’ve encountered in the process, and how they’ve helped us to develop.… [continue reading]
This is an outdated post with links to now dead forms. Volume #1: Birth is now available on Bandcamp here!
This is something we’ve been planning and working on in the background since we announced our physical zine. While Issue #1: Birth is 100% free, including postage and packaging, we want to give all we can to subscribers. Therefore, anyone who’s signed up will also receive an equally free tape of music and MP3 download of the contents. For those who don’t make it onto our mailing list before publication, Volume #1: Birth will be available on Bandcamp. However, this initial run of tapes is going to be unique.… [continue reading]