Publishing this two days after the event aired, I can’t help but question if there’s any point. Then I realised, one of the reasons that I cover WWE PPVs here is to track their progress and development over time. Missing one, in a year that will have fourteen by its end, may not seem a big deal. However, I feel that not reporting this one PPV would be unfair on certain talents within. For example, Randy Orton and Jinder Mahal have been running a questionable and tiresome feud for some time now. It would be the height of injustice not to comment on their Punjabi Prison match at this year’s Battleground; it made me quite like Mahal for the first time, which is always worthy of discussion.… [continue reading]
The name Great Balls of Fire doesn’t exactly inspire high-expectations. This is, partly, why I found myself unable to get too excited for it. Of course, i’m not that shallow and it’s not the only reason. In addition, certain elements of my personal and professional life became too demanding in the past month to spare time for weekly editions of Raw. This meant that this was another PPV that I went into somewhat blindly. I was peripherally aware of certain storylines; it’s been hard to ignore the rumblings between Big Cass and Enzo Amore, for example. Also, the wildly anticipated clash between Samoa Joe and Brock Lesnar was a clear selling point.… [continue reading]
For some reason, despite an intriguing card, I found myself unable to get too excited for Money in the Bank this year. I put that down to some personal rumblings going on in my life at the moment. That aside, I knew we’d be in for something worth seeing. I’d probably resigned to just watch the damn thing, rather than overthinking it too much. With a historic women’s Money in the Bank match scheduled, along with the standard edition as the main event, this pay-per-view was certain to be memorable in some way.
In the end, this was surely one of the strangest cards I’ve ever seen.… [continue reading]
This article ties in to a podcast I recorded with David Liebe Hart, available here.
If you’ve ever spent any time with a toe dipped into Tim and Eric Awesome Show, Great Job!, then you’re probably aware of David Liebe Hart. His first appearance came in the episode Salame, which heavily featured his music, puppets and thoughts on extra-terrestrial mythology. From there, he’s seen himself cast in numerous editions of that show, as well as various spin-offs, promotional materials and live tours. He’s become an integral part of their universe, whether Tim Heidecker and Eric Wareheim approve of it or not.… [continue reading]
Assumption is the mother of all fuck-ups. I had assumed that this was going to be one of those pay-per-views that just hits on every level. My expectations going into this one were unbelievably high, since Extreme Rules boasted a deeply promising card. Unfortunately, it didn’t deliver quite to the level I had hoped. It is, however, easily the best PPV since this year’s WrestleMania. The main-event delivered in spades, while we also saw great matches for the Cruiserweight and Intercontinental Championships. Another thing of note is how well it dealt with its stories. The beautifully edited promo-packages only helped get these narratives across.… [continue reading]
As SmackDown‘s first dedicated PPV post-WrestleMania, my expectations for BackLash were as low as they were for Payback. In fact, if anything, my expectations were a little lower. However you try to dance around it, SmackDown‘s a B-show. That doesn’t mean it can’t bring some compelling things to the table. It’s just that, by and large, you can always look to Raw for a bit of added spectacle. With a main event pitching Jinder Mahal against Randy Orton, my hopes were far from high. The only thing on the card of real intrigue, to me, was the inevitable debut of Shinsuke Nakamura on a WWE main roster.… [continue reading]
I first discovered BONZIE, an American musician whose talent betrays her age, purely by accident one evening. Since, I haven’t been able to stop listening to her oddly cathartic music; strong in the belief that I haven’t heard songwriting this refreshing in years. Her first record, Rift Into the Secret of Things, is a gorgeous trek through melodious brevity. While short, the potency of the material within leapt from my speakers with an understated purity. To be more accurate, the music of BONZIE laps against your eardrum with all the playful provocation of relentless waves.
Like soft ocean ripples, her songwriting brings with it a depth that sounds like it’s swirled the entire planet to reach the quiet beach you find it on.… [continue reading]
I challenge anybody on this planet to try to outdo my Radiohead fandom. Presently, it’s a task that would be posing to just about anyone. Even Thom Yorke likely knows less about his own band than I do. I’ve obsessed over unreleased and rare material for the majority of my life, down to the shortest snippets of half-baked soundcheck jams. Therefore, I have some extra insight into what to expect from OKNOTOK, Radiohead’s reissue of their legendary record, OK Computer.
In the wake of a largely enjoyable WrestleMania, I always expected Payback this year to naturally fall short. The lead-in to it was weak. Its card didn’t seem to present anything of any intrigue. After all, the superstar shake-up was quite a heavy distraction. That aside, there was still plenty of room for something to be pulled out of the bag. On the whole, it would be fair to describe Payback as a slightly below-par affair. However, with the inclusion of the awful “House of Horrors” match, I can’t help but give this a pretty resoundingly negative review.
There wasn’t really a single segment of this PPV that engaged me.… [continue reading]
Among musicians, and music fans, pop music sometimes gets a bit of a bad rap. Personally, I’ve found the world of pop music across the decades to be a fascinating and enjoyable one. While I zoned out of the pop world for years, I could always rely on Gorillaz to fill that hole. From Clint Eastwood to Plastic Beach (The Fall doesn’t really count), Gorillaz have been a surefire hit-factory. Unfortunately, whenever they would come out with a fresh batch, they’d inevitably bugger back off again for a handful of years.