Several months ago, we announced our first physical zine. Since that announcement, Benjamin and I have been working hard to make Issue #1: Birth a reality. On the same day as this post’s publication, we’ve made our final order for the complete batch of debut issues. Once we’ve received them, we’ll send out individual copies to our subscribers. With its release just a few days away, this post will take a look at each of the zine’s talented contributors. In addition, I’ll detail a few of the difficulties we’ve encountered in the process, and how they’ve helped us to develop.… [continue reading]
Click here to get a free copy of the tape mailed to you. Scroll down for the full track-list and samples!
This is something we’ve been planning and working on in the background since we announced our physical zine. While Issue #1: Birth is 100% free, including postage and packaging, we want to give all we can to subscribers. Therefore, anyone who’s signed up will also receive an equally free tape of music and MP3 download of the contents. For those who don’t make it onto our mailing list before publication, Volume #1: Birth will be available on Bandcamp. However, this initial run of tapes is going to be unique.… [continue reading]
Just a couple of months ago, we spoke to Goldie Lookin Chain’s principle lyricist, Eggsy. How he kept quiet about new material, I’ll never know. But, going against his strategic silence, today sees the announcement of the collective’s twentieth LP, Fear of a Welsh Planet. Last year brought us a wealth of GLC to enjoy, from a Christmas album to a live recording of their compressed Legends of GLC show. Now they’re back, and it’s with some extra ambition.
Majken‘s debut LP, Dancing Mountains, is a whimsical and nostalgic set of twelve autobiographical songs. The mood that the record conjures mirrors the main themes explored throughout; a trip back in time, reflecting on “vivid dreams, fond memories and restless nights”. What makes the collection even more special is the personal touch. The songs reference specific locations encountered, and people she’s crossed paths with.
Dancing Mountains could have been pulled straight out of the late 60’s, and early 70s, surf-pop and avant-garde movement. Trickles of The Velvet Underground are clearly present, uniquely intertwined with elements of Scandinavian pop.… [continue reading]
This article ties in to a podcast I recorded with Doug Lussenhop, available here.
Doug Lussenhop, also known as DJ Douggpound, is someone with far more output than many might expect. Mostly, he’s remembered as the editor who helped shape Tim and Eric Awesome Show, Great Job! into its distinctive and influential form. While his editing work represents a huge catalogue, it’s the tip of an incredibly intriguing iceberg. Lussenhop is never content to sit back, comfortable, in any one box. His creativity has branches in almost all forms of media, from music and writing to innovative live performances and apps.… [continue reading]
Having spent over two decades with several bands including A Place to Bury Strangers, The D4 and The Scavengers, it’s surprising to realize Dion Lunadon hadn’t released a solo work sooner and, even more so, to learn it wasn’t planned to exist.
“I hadn’t written by myself for years and felt I needed to create something with no compromises and something that reflected who I am. Out of anything I’ve ever done, this record definitely captures that more than any other. I wasn’t planning on releasing any of it, which is a great place to write from. I wrote it for me.”
With the help of Bambara’s Blaze Batch, APTBS bandmate Robi Gonzalez and Chris Woodhouse (recording engineer for Thee Oh Sees and Ty Segall), Lunadon wrote and completed the album over three months in Brooklyn, NY.… [continue reading]
I first discovered BONZIE, an American musician whose talent betrays her age, purely by accident one evening. Since, I haven’t been able to stop listening to her oddly cathartic music; strong in the belief that I haven’t heard songwriting this refreshing in years. Her first record, Rift Into the Secret of Things, is a gorgeous trek through melodious brevity. While short, the potency of the material within leapt from my speakers with an understated purity. To be more accurate, the music of BONZIE laps against your eardrum with all the playful provocation of relentless waves.
Like soft ocean ripples, her songwriting brings with it a depth that sounds like it’s swirled the entire planet to reach the quiet beach you find it on.… [continue reading]
Among musicians, and music fans, pop music sometimes gets a bit of a bad rap. Personally, I’ve found the world of pop music across the decades to be a fascinating and enjoyable one. While I zoned out of the pop world for years, I could always rely on Gorillaz to fill that hole. From Clint Eastwood to Plastic Beach (The Fall doesn’t really count), Gorillaz have been a surefire hit-factory. Unfortunately, whenever they would come out with a fresh batch, they’d inevitably bugger back off again for a handful of years.
After sailing the underground for the better part of his life, Juiceboxxx still has an undying thirst to move ever onward. He’s made a name for himself with uniquely direct music, and a live show that lives up to it in spades. Each release sees him delving further and further into what the fuck it even means to be alive; sometimes with anger and confusion, others with an optimistic abandon.
This has helped him maintain a dedicated cult audience, who religiously follow his various interesting endeavours. His strong musical catalogue is just one arm of the Juiceboxxx world; a strange place encompassing energy drinks, radio shows, self-deprecating video-blogs and more.… [continue reading]
I bloody love the Pixies. They’ve been one of my favourite bands since I first heard Bone Machine; before my balls had even dropped. To this day I consider their performance at 2005’s Leeds/Reading festival my finest live event. To their hordes of vocal admirers, they carry around an enormous legacy everywhere they go. It’s probably this pressure that has kept their back catalogue compressed and minimal over the years. Indeed, even with their lengthy hiatus, you’d have expected more than six LPs from a band with the stature and history that the Pixies enjoy. For me, this has always given them a mystique that greatly adds to their presence.… [continue reading]