Secret Cave Office Chart [AUGUST 2017]

As Benjamin and I scurry away at work for our upcoming print zine, this Office Chart nearly never happened. It’s more difficult to compile something as coherent as it is eclectic, on a regular basis, than I thought. So, I was somewhat lucky with this one. Many of the tracks fell into place with barely a nudge, making an end product that might be one of the more intriguing charts yet. Unfortunately, it may also be the final Office Chart that I make in this way. With Secret Cave moving in a different direction, I’m not sure what place they’ll have in the future.…   [continue reading]

WWE Battleground 2017 [REPORT]

Publishing this two days after the event aired, I can’t help but question if there’s any point. Then I realised, one of the reasons that I cover WWE PPVs here is to track their progress and development over time. Missing one, in a year that will have fourteen by its end, may not seem a big deal. However, I feel that not reporting this one PPV would be unfair on certain talents within. For example, Randy Orton and Jinder Mahal have been running a questionable and tiresome feud for some time now. It would be the height of injustice not to comment on their Punjabi Prison match at this year’s Battleground; it made me quite like Mahal for the first time, which is always worthy of discussion.…   [continue reading]

Secret Cave Office Chart [JULY 2017]

I’m not sure how it ended up this way, but this month’s is the most disparate offering I’ve curated yet. Still, there’s only one point in it that I think is uncomfortable and jarring. Be aware of the transition between Boards of Canada‘s Satellite Anthem Icarus and Modest Mouse‘s Ocean Breathes Salty; it’s a particularly nasty one. Unfortunately, it was a bit too late to do anything about and Ocean Breathes Salty is good enough to get past it. Beyond that, this month’s playlist skips from genre to genre without a moment’s rest. On the whole, it works quite well with a playful verve.…   [continue reading]

WWE Money in the Bank 2017 [LIVE TWEET STREAM/REPORT]

For some reason, despite an intriguing card, I found myself unable to get too excited for Money in the Bank this year. I put that down to some personal rumblings going on in my life at the moment. That aside, I knew we’d be in for something worth seeing. I’d probably resigned to just watch the damn thing, rather than overthinking it too much. With a historic women’s Money in the Bank match scheduled, along with the standard edition as the main event, this pay-per-view was certain to be memorable in some way.

In the end, this was surely one of the strangest cards I’ve ever seen.…   [continue reading]

WWE Extreme Rules 2017 [LIVE TWEET STREAM/REPORT]

Assumption is the mother of all fuck-ups. I had assumed that this was going to be one of those pay-per-views that just hits on every level. My expectations going into this one were unbelievably high, since Extreme Rules boasted a deeply promising card. Unfortunately, it didn’t deliver quite to the level I had hoped. It is, however, easily the best PPV since this year’s WrestleMania. The main-event delivered in spades, while we also saw great matches for the Cruiserweight and Intercontinental Championships. Another thing of note is how well it dealt with its stories. The beautifully edited promo-packages only helped get these narratives across.…   [continue reading]

WWE BackLash 2017 [LIVE TWEET STREAM/REPORT]

As SmackDown‘s first dedicated PPV post-WrestleMania, my expectations for BackLash were as low as they were for Payback. In fact, if anything, my expectations were a little lower. However you try to dance around it, SmackDown‘s a B-show. That doesn’t mean it can’t bring some compelling things to the table. It’s just that, by and large, you can always look to Raw for a bit of added spectacle. With a main event pitching Jinder Mahal against Randy Orton, my hopes were far from high. The only thing on the card of real intrigue, to me, was the inevitable debut of Shinsuke Nakamura on a WWE main roster.…   [continue reading]

Secret Cave Office Chart [MAY 2017]

I don’t know about the Secret Cave readership, but i’m really getting a lot out of making these playlists. Last month‘s had an odd tinge to it, mainly thanks to some personal mishaps in my life at the time. After wishing myself luck for this month, it does indeed appear that things have taken a turn for the better. Oddly, May’s Office Chart has resulted in a slightly darker tone overall. Still, I feel I’ve hit on a nice coherence for this one. I’ve also managed to feature Juiceboxxx‘s latest single, as a follow-up to his interview with us last week.…   [continue reading]

WWE Payback 2017 [LIVE TWEET STREAM/REPORT]

In the wake of a largely enjoyable WrestleMania, I always expected Payback this year to naturally fall short. The lead-in to it was weak. Its card didn’t seem to present anything of any intrigue. After all, the superstar shake-up was quite a heavy distraction. That aside, there was still plenty of room for something to be pulled out of the bag. On the whole, it would be fair to describe Payback as a slightly below-par affair. However, with the inclusion of the awful “House of Horrors” match, I can’t help but give this a pretty resoundingly negative review.

There wasn’t really a single segment of this PPV that engaged me.…   [continue reading]

Gorillaz – “Humanz” [ALBUM REVIEW]

Among musicians, and music fans, pop music sometimes gets a bit of a bad rap. Personally, I’ve found the world of pop music across the decades to be a fascinating and enjoyable one. While I zoned out of the pop world for years, I could always rely on Gorillaz to fill that hole. From Clint Eastwood to Plastic Beach (The Fall doesn’t really count), Gorillaz have been a surefire hit-factory. Unfortunately, whenever they would come out with a fresh batch, they’d inevitably bugger back off again for a handful of years.

Everyone knows that Gorillaz are, in fact, a cipher for Damon Albarn and Jamie Hewlett.…   [continue reading]

Kendrick Lamar – “Damn” [ALBUM REVIEW]

It’s always unfortunate when an artist has to follow an epochal album. Considering Kid A in the wake of OK Computer was never fair. Pink Floyd‘s awful Final Cut was doomed after The Wall. Placing Kendrick Lamar‘s previous album, To Pimp a Butterflyin such a legendary ballpark is obvious to anyone who’s heard the record without blinkers. As a result, Lamar’s fresh follow-up was always going to find itself trapped under expectations and heft. Released five days ago, Damn has more written about it in comparison to its predecessor than its own merits.

This is natural.…   [continue reading]