I like Bunker Punks. I really do.
It’s a fantastic mix of smooth gameplay and simple mechanics slowly building up to one hell of a satisfying twitch shooter.
Unfortunately, Bunker Punks is also a bit of a confused and limited mess – so much, in fact, that I can’t bring myself to recommend it at full price. Definitely worth picking up in a sale, but consider what you’re willing to pay for an hour or two of solid entertainment before fatigue starts to set in.
First, the nitty gritty. Bunker Punks is an Early Access FPS with roguelike and base building mechanics that’s been on Steam since 30th March 2016.… [continue reading]
I always watch WrestleMania live. Wrestling is one of the odder things that we cover at Secret Cave, but it’s such a magnificent theatre for the absurd. I intend, at some point, to post something explanatory on my love for it. Until then, last night was WrestleMania and i’m still reeling from how good it was. It’s been a while since WrestleMania truly gripped me, but this one was pretty much great from start to finish. Focusing heavily on the in-ring product, it’s the first time in a while I found myself wishing for more storyline. That said, the athleticism and ring psychology was strong throughout.… [continue reading]
April is the month of my birthday. Therefore, I felt it only appropriate that I reflect that general merriment with a more upbeat playlist. I also, in its construction, had several things going on in my life that rather coloured the choices I made. As a result, it’s perhaps not as exploratory as i’d like it to be. That said, I do feel it improves over my more disparate offering from last month. There’s still a clear divide in the groupings of similar material at times, but i’m going to blame that on the personal nature of my decisions. For those who can see the implications of my words, it didn’t work out.… [continue reading]
Nick Lutsko is a young musician of unbridled creativity. He’s someone who truly knows how to build a world, from the constituent elements of its puppet inhabitants to an endlessly engaging approach to his audience and marketing. Through his songwriting, recording and performances, he’s amassed no small amount of success and respect as one of Chattanooga’s foremost local musicians. His commercial work for such outlets as Super Deluxe has only given his considerable talent a wider exposure. The sky being the only apparent limit for Lutsko’s potential, he appears to be at the beginnings of a profoundly influential and fulfilling career.… [continue reading]
When was the last time you were surprised by a video game? No, I don’t mean an occasional plot twist or the fact that the game turned out to be way better than you were giving it credit at first. I mean when you weren’t ready for anything that a game was going to throw at you. When you thought you knew gaming, but then it pulls you up from the Earth and into the open space to show that there’s a whole new universe beyond the one you were familiar with.
“I envy you. I wish I could go back and do it for the first time, all over again.”
— The Game (1997)
Arguably, you can experience this once in a lifetime.… [continue reading]
When you talk about the filter bubble, you’re talking about something quite specific. It’s the heavily curated ecosystem of the internet. A set of rules that filter all of the world’s information and organize it into what algorithms expect you to want to see — algorithms that suggest your next video on YouTube, or show you an article on Facebook.
At first, it can seem like a user friendly way to prioritize and curate the internet according to a set of personalized boundaries. You only see relevant content, and it brings order to the sprawling, chaotic internet.
In the era where fake news and propaganda virally populates Facebook — the world’s biggest news aggregation platform — it’s gone from being a user-friendly convenience to a threat to how we perceive the world around us.… [continue reading]
Editing is a true passion for Dominick Nero. As a contributor to such powerhouses as Super Deluxe and A.V. Club, it’s only natural that he understands its power. Because of that very fact, his work has seen enormous success and respect. While many artists approach the internet with intense cynicism, Nero embraces its stage wholeheartedly. His editing has become just another way for him to express his drives. He’s someone who sees the potential in social media, using it every step of the way as a tool for development. A master of comic timing and editing techniques, Nero has his finger resoundingly on the pulse.… [continue reading]
It was only recently that I wrote about how damaging editing can be to comedy. Often chaining or dulling the creative process, there’s a lot of evidence for its oppressive implications. On the other hand, it’s only fair to discuss how liberating it can be for expression. In fact, creators like Super Deluxe have shown how effective it is when used constructively. There have been hints of it for years. Even Chris Morris, as shackled as he was, could reconstitute existing material into something new and interesting. To finally tie up connections to the previous article in this arc, here’s a prophetic example of Morris doing just that:
This is written in response to an article here by Andy Tyrrell, my father.
Est Pater meus, cunnus; it is true that my father is a cunt. Puffed up by the bitter fats of aged failure, only a taxi driver could spit such vitriol at something he doesn’t understand. This is why, as a hackney carriage operator himself, Andy Tyrrell concentrates on pedantry for the base of his criticism. None of this is to denigrate his obvious intelligence either, which is clear from his rampant eloquence. Where my dad falls down, however, probably lies in the fact that he has no Twitter account.… [continue reading]
Errare humanum est; it is true we all make mistakes and, from time to time, such mistakes can lead to disastrous events. I am reminded of the architect, John Weeks, who built Northwick Park Hospital, Harrow, in the 1960’s. Upon completion, the building was considered so ugly by everyone, including the Queen, that John, wracked with guilt and shame, threw himself from the roof of the six floor maternity unit to his demise.
The above story is not true. It is, in fact, urban myth. John Weeks did, indeed, build the hospital and everyone did think it was ugly, but John did not carry out the legendary, almost poetically, suggested justice upon himself.… [continue reading]