When technology augments the natural limits of human communication, there are often unexpected side effects. When Sharp first decided to bundle together a phone and a camera into the same device, they didn’t know they’d laid the foundation for Instagram, or the rich visual ecosystem of mobile content. At the time, uploading images to the internet in a community of users was 10 years away. Similarly, when Casio created the first commercially successful answering machine capable of playing an outgoing message in 1971, they didn’t realize that they had effectively given a broadcasting platform to the answering machine owners.… [continue reading]
All artworks included in this piece are the work of Katrine Claassens, and are represented in monochrome here (as they appear in Issue #2: Birth). You can see them in full colour at Katrine’s site, or order your own copy of our zine through our store or Patreon.
In this intimate series of works, Katrine Claassens paints both abandoned and much-loved images culled from the internet. By carefully selecting reference material from digital sources, Claassens distils the absurdist nature of internet humour to bear witness to a tragicomedy otherwise ignored. Material gathered from abandoned Twitter accounts, internet memes, stills from GIFs, and badly executed flash photography become adopted beauties when taken under her wing.… [continue reading]
What’s the earliest thing you can remember?
Maybe it’s a happy memory — one coated in sunlight or a particular kind of weather — or maybe it’s a dark memory, one that you’d rather not revisit. After all, most early memories are usually one or the other; extreme emotions have a tendency to stick, for better or worse.
Perhaps you remember your first home? The colour of the walls, the markings on the floor, and which door led you to where?… [continue reading]
With 16 bots and hundreds of other coveted projects to his name, Beau Gunderson is a prolific developer and valued contributor to the open source community, responsible for adding thousands of unique artworks and text snippets to the Twittersphere. And Twitter really is the ideal gallery for this form of expression; ideal for audiences because it allows them to become immersed in the bot’s stream of consciousness, and ideal for developers as an easily-accessible sandbox in which to store and evaluate new ideas quickly.
In our last issue, Birth, we featured a single piece of Shanell Papp’s distinctive artwork. We would have liked to show more, and initially planned for an in-depth look at her talent for textiles. It’s a medium she explores and warps in surprising ways, with an intense attention to detail. The physicality of her output makes her focus on anatomy and the macabre more direct. For this zine, we spoke to Shanell about some of her intentions and drives.… [continue reading]
Lowbrow art is a raw, frequently unpolished graphic style that grew out of the underground comix, punk music, and hot-rod scenes. Often it focuses on sex, drugs, and anything that might be considered taboo. Its aim is to violate social norms and slap polite society in the face with the dirty and calloused hand of reality. It’s rough, it’s real, and I love it!
I grew up in a working class family, in a working class neighborhood, in a very conservative Christian community — Lynchburg, Virginia to be exact. … [continue reading]
Achewood, a webcomic launched in 2001, is among the densest works of fiction on the internet. Resting on the mannerisms of a developed cast of complex characters, it later evolved to include blogs, Twitter accounts and even a cookbook. Its creator, Chris Onstad, has given life to every corner of its titular setting through a series of inspired arcs. For Issue #2: Breath, we talked to Chris about Achewood, some of the process behind it and its future.… [continue reading]
We’re now preparing to post out copies of Issue #2: Breath! If you haven’t yet ordered a copy, you can do so by visiting our store or brand new Patreon page. We’ve worked hard to make this zine worth the money, by filling it with as much writing, art and photography as we could source. In the end, we’ve more than doubled the page count of our debut issue.
We’re immensely proud of the contributors who have given this project life.… [continue reading]
On Rossville Street in the Bogside area of Derry stands a unique set of twelve large-scale murals that have attracted global attention for their themes of violence, peace and unity. The gigantic artworks are a portrayal of the brutality that the Bogside area has witnessed — called the Troubles — and the three artists who produced the wall-paintings are brothers Tom and William Kelly (who sadly passed away in January 2017), and their friend Kevin Hassan.
The first mural, called Petrol Bomber, was painted on a three story maisonette building in 1994. The massive black and white image shows a young boy in a gas mask, trying to protect himself against CS gas as he holds a petrol bomb in a scene from the Battle of the Bogside, which took place in August 1969.… [continue reading]
You can pre-order a physical copy of Issue #2: Breath here!
The next three weeks represent our final push before we publish Issue #2: Breath. Benjamin and I have been doing all we can in the background to make this zine special. We’ve worked hard to give our excellent submissions the formats they deserve, and we couldn’t be happier with the results.
However, we originally planned for a 2nd of April release date. Due to a number of circumstances, there will likely be a fortnight’s delay. The issue will still print in April, but we need the extra days in order to perfect the product. … [continue reading]