Often, we think of an artwork as absolute. Picasso’s work, for example, is simply Picasso’s work; unchanged over time. We’re aware that a digital JPEG of a painting will lose all of its tangible resonance, such as its finer brushstrokes. Yet, we still consider it to be a fair representation of an essential absolute. Those with a passing interest in art may even have some peripheral sense that a long life would naturally degrade the brilliance of a piece. But, outside of the exclusive world of art criticism and appreciation, it’s rare for us to consider the ways that an individual expression can evolve.… [continue reading]
This article ties in to a podcast I recorded with Maddox, available here.
George Ouzounian, better known as Maddox, has built his brand on the internet for twenty years. Beginning with The Best Page in the Universe in 1997, the project has grown into a number of different mediums. Primarily, Maddox considers himself a writer and satirist. Yet, he’s always made an effort to craft content for various platforms. While maintaining a consistent and practised tone, Maddox now produces podcasts, animation, comics and YouTube videos. He’s even currently working on a video game. Though all of his output is faithful to the core of his character, his outspoken penmanship inspires it all.… [continue reading]
This article ties in to a podcast I recorded with “Other” Joe Lopez, available here.
“Other” Joe Lopez is well-known by gamers for his work on The Angry Joe Show. His winning dynamic with “Angry” Joe Vargas, a close friend since middle school, is a large factor in the appeal of their YouTube channel. As an integral part of the show, his humorous observations and experienced criticism have made him beloved amongst fans. Lopez has helped Vargas to hone his characteristic tone since his earliest days with Blistered Thumbs.
As The Angry Joe Show has increased in popularity, it’s received significant backlash for a perceived laziness. … [continue reading]
It seems that I lied in my previous post, intended as a sort of temporary finale. The idea was for that to be the last piece on Secret Cave until Issue #1: Birth sees release. I had a feeling that wouldn’t be the case. Too many things have happened that require a small update on the site itself. So, while Benjamin and I keep working on the zine, I thought I’d put this out as timely housekeeping. Incidentally, before I move into other territory, work on the zine has been a mixed bag. We’ve been coming out with some very strong results lately, and I can’t wait to make them public.… [continue reading]
The following is published as-is from an interview we conducted with Taylor Shechet. Taylor is a sound designer involved with Soul Harvest, a local-multiplayer strategy game which is currently available through Steam Early Access. He is also part of GRYPT, an experimental trio of musicians based in Los Angeles.
How did you get into sound design?
I got into sound design in the way I think most people do, which is through music. The route is a little roundabout but music and games have always been intertwined for me.
I always enjoyed music a lot (There’s family footage of me as a toddler running around singing Disney songs with a ukulele) but before I really consciously got into music my parents signed me up for piano lessons.… [continue reading]
Gather ’round readers as I recount a tale for the ages. It is a tale of sacrifice, honour, betrayal, and bullshittery – a great struggle against a tyrannical lord in a long-dead realm. This is the Tale of Two Worlds: The Lament of Dr Cock.
We begin, as with any good story, by setting the scene.
By modern standards (and even many contemporaries), Two Worlds‘ multiplayer is a broken mess. The maps and servers still load, but you can’t easily link everyone up to the same server without enduring endless wait times while the game attempts to sync up a player, then syncs again once they fail to connect.… [continue reading]
Drakengard is akin to Marmite – you’ll love it, hate it, or just be confused by its existence.
After playing through and reviewing Nier I decided to go back to Drakengard (the first game Taro Yoko directed, and Nier’s “spiritual” predecessor) to see if the vague memories from a playthrough in my early teens held up.
Suffice to say they do.
Although I would still recommend Drakengard to anyone with an interest in dark fantasy, its flaws are so great that I’d struggle to promote it outside of that niche. As the title of this Drakengard review suggests, it very much is a case of story vs gameplay, and even the story has some elements which don’t quite work.… [continue reading]
Even after writing last week’s spoiler-free Nier review, and despite promising a spoiler-fueled deep dive into the topic today, this article has been scrapped countless times.
That’s because the twists, turns, and entire emotional rollercoaster are impossible to convey in words. Such an experience isn’t even possible outside of a video game, because the player-game interaction is what allows Nier to reach those heights.
I know that sounds pretentious as all hell, but let me try to explain.
!!WARNING!! From this point on there will be spoilers for Nier – if you have any intention of playing it,
please consider getting each of the game’s endings before reading on
Nier takes full advantage of being a game
Nier is an example of how games can truly engage the player in a way that is simply impossible for a book or movie.… [continue reading]
This game – this damn game – is the reason I didn’t publish an article on Secret Cave for more than two months.
I’d planned out at least four different articles for Nier Gestalt in my head over that time, but none could do it justice. I had to keep playing until I’d reached 100% completion.
And once I saw everything it had to offer, I was at a total loss for words.
Nier is quite possibly the best gaming experience I’ve ever had. I say “experience” because (as with an increasing number of titles) Nier manages to interact with the player directly, completely separate from the in-game characters.… [continue reading]
Over the past 15 years, I’ve played countless games. From Snake and Space Impact (even the name evokes a wave of nostalgia) to modern masterpieces like Nier and Nuclear Throne.
However, despite having primarily played games on PC (474 Steam games and counting) for years now, there is one console that will always hold a special place in my heart and cupboard – the PS2.
While that’s partly because of the large chunk of my childhood I spent on the console, it’s also because the PS2 has some of the greatest games ever made in its library.
Jak and Daxter (1 and 3), Ratchet and Clank (take your pick), Soulcalibur 3 (stick it 2), Devil May Cry, and the flawed masterpieces that are Drakengard and Shadow of Memories.… [continue reading]