Often, we think of an artwork as absolute. Picasso’s work, for example, is simply Picasso’s work; unchanged over time. We’re aware that a digital JPEG of a painting will lose all of its tangible resonance, such as its finer brushstrokes. Yet, we still consider it to be a fair representation of an essential absolute. Those with a passing interest in art may even have some peripheral sense that a long life would naturally degrade the brilliance of a piece. But, outside of the exclusive world of art criticism and appreciation, it’s rare for us to consider the ways that an individual expression can evolve.… [continue reading]
This piece ties in to a podcast I recorded with Rucka Rucka Ali, available here.
For our final interview of 2017, we invited Rucka Rucka Ali to speak to us about his creativity and craft. Since 2006, Rucka has carved out a significant legacy as the internet’s most offensive parody artist. In his music, he often makes use of racial stereotypes and observations. All too often, and erroneously, his songs are accused of racism. In fact, his output is a cleverly constructed dissection of the culture politics we all drown in. They’re also incredibly funny, with a “no holds barred” attitude that starkly contrasts the safe-space mindset of modern liberalism.… [continue reading]
Last month, Goldie Lookin Chain released Fear of a Welsh Planet. It’s an album that continues their trend of hilarious, but relatable, hip-hop. To find out more on its creation, and the evolution of GLC across a lengthy career, I spoke to Rhys (also known as P. Xain). As the member responsible for almost all of the group’s music and production, he’s been deeply ingrained from their earliest beginnings.
Aside from Goldie Lookin Chain, Rhys has put out a number of intriguing solo releases.… [continue reading]
This URL initially linked to a detailed history of Volume #1: Birth, which is still online here.
After several months of putting the package together, Volume #1: Birth is finally available for download. In addition, zine subscribers should receive their physical copies within a fortnight of this post. Bringing this to you is a very proud moment for us. It contains music from both Secret Cave co-founders, regular contributors (like March and MC Kat) and several guests. Nick Lutsko, Professor Elemental, Vic Berger and DJ Douggpound all have tracks on this release, following on from our podcasts with them.… [continue reading]
March is an important contributor to Secret Cave. Our third season of podcasts, SCP3, currently features him as a regular cast member. However, he initially came into contact with us through his music. We used a bonus track from his previous album, THE RIDE, on our debut cassette tape. Despite being a mere fifteen years old, he has an impressive number of hip-hop explorations to his name. He’s a remarkably talented vocalist and producer for his age. This week, March released CRACKER LP. In time, we’ll be producing a full tape of this new collection of tracks for our upcoming store.… [continue reading]
This is an outdated post with links to now dead forms. Volume #1: Birth is now available on Bandcamp here!
This is something we’ve been planning and working on in the background since we announced our physical zine. While Issue #1: Birth is 100% free, including postage and packaging, we want to give all we can to subscribers. Therefore, anyone who’s signed up will also receive an equally free tape of music and MP3 download of the contents. For those who don’t make it onto our mailing list before publication, Volume #1: Birth will be available on Bandcamp. However, this initial run of tapes is going to be unique.… [continue reading]
Just a couple of months ago, we spoke to Goldie Lookin Chain’s principle lyricist, Eggsy. How he kept quiet about new material, I’ll never know. But, going against his strategic silence, today sees the announcement of the collective’s twentieth LP, Fear of a Welsh Planet. Last year brought us a wealth of GLC to enjoy, from a Christmas album to a live recording of their compressed Legends of GLC show. Now they’re back, and it’s with some extra ambition.
It feels incredible to be writing here again. For those who don’t know, or didn’t notice, our domain went offline for almost an entire week. This, obviously, left Benjamin and I distraught and distressed for the down-time’s duration. It effected every area of our output, with it even coming close to causing a permanent cessation. Despite such devastating circumstances, we’ve been able to move past it confidently in readiness for our next phase. As a result of the issues with the domain, a backlog of tasks requiring completion has built up. An Office Chart is well overdue, though I did state in the previous one that it might be the last.… [continue reading]
This article ties in to a podcast I recorded with Sean Tillmann, available here.
Har Mar Superstar is the cipher through which Sean Tillmann expresses his art. Over nearly twenty years of activity, Tillmann has brought immense integrity to a constantly evolving catalogue. Nowhere is this more true than on his latest EP, Personal Boy. Taking all of his previous material and expanding on it naturally, Personal Boy is an exciting growth that works just as well on its own gargantuan merits. It consists of a mere three tracks (and a radio edit), though each is strong enough to outlive the brevity of the record as a whole.… [continue reading]
Majken‘s debut LP, Dancing Mountains, is a whimsical and nostalgic set of twelve autobiographical songs. The mood that the record conjures mirrors the main themes explored throughout; a trip back in time, reflecting on “vivid dreams, fond memories and restless nights”. What makes the collection even more special is the personal touch. The songs reference specific locations encountered, and people she’s crossed paths with.
Dancing Mountains could have been pulled straight out of the late 60’s, and early 70s, surf-pop and avant-garde movement. Trickles of The Velvet Underground are clearly present, uniquely intertwined with elements of Scandinavian pop.… [continue reading]